Unpacking Sistas – Why the New Writers’ Approach Makes Sense for the Show’s Future

This introduction reflects on the current state of the TV show Sistas and how it seems to have disappointed fans in Season 8. The speaker touches on how writers may not be accustomed to Tyler Perry’s rapid production schedule, which leads to rushed scripts. After listening to an interview with Deval Ellis, the speaker gains new insight into the creative process behind the show but still maintains the importance of honest critiques.

Key points include:

• Deval Ellis’ interview reveals frustrations with the scripts and characters’ development.
• The rapid production process, with scripts written and filmed in an unusually short time, may contribute to the show’s decline.
• Despite these insights, the speaker emphasizes the ongoing disappointment with Sistas, feeling that the show is a victim of rushed creation rather than a lack of talent.

The speaker also compares the show’s current issues with a previous example, The Best Man: Final Chapter, where eight well-written episodes were preferred over a longer series of rushed episodes. The underlying frustration is with the show’s quality, which doesn’t seem to match up to the fan expectations built up in earlier seasons.

The speaker in the transcript seems to express frustration with the direction of a TV show, likely Sistas by Tyler Perry, focusing on its writing and production processes. They discuss how the quality of the show has declined, particularly in the later seasons, and why they believe this is happening.

Here are the main points:

1. Character Development: The speaker argues that the characters in the show are not evolving as they should. Early seasons had clear, easily identifiable traits for each character, but the newer seasons struggle to maintain this clarity. Fans and actors alike seem to notice this lack of consistency, with the actors no longer promoting the show as they used to.
2. Rushed Production: A major concern is the rushed writing and filming schedules. Tyler Perry Studios typically gives writers just two weeks to write scripts and limited time for filming (12 days or less). This fast-paced environment may be hindering the quality of the writing, leading to disjointed episodes. The speaker feels that the writers aren’t given enough time to refine their work, unlike Tyler Perry’s earlier approach where scripts were more flexible, allowing for ad-libs and improvisation to enrich the characters and scenes.
3. Comparisons to Other Shows: The speaker draws comparisons with other Tyler Perry shows, such as Bruh, which had shorter seasons but benefited from a more focused, creative process. The quality of writing and acting in Bruh is seen as superior, possibly because the team had more time and fewer episodes to work with.
4. Fan Reaction: There is a clear sense of disappointment among the fanbase. The shift in writing quality is noted by viewers, especially with plotlines that don’t seem to resonate or flow properly. The speaker points to the controversial storyline involving Zach and Karen as a key turning point for the show’s ratings decline.
5. Suggestions for Improvement: The speaker suggests that if the new writers were allowed more time (about a month) to craft the scripts and collaborate more effectively, the overall quality of the show could improve. They advocate for a more careful, detailed approach to writing, rather than the rush to produce content under tight deadlines.
6. Personal Reflection: Reflecting on their own experience, the speaker acknowledges their lack of industry experience but feels that with more time and resources, they could contribute better ideas than the current output. They also express doubts about how proud they would be to have their name attached to the current state of the show.
7. Production vs. Quality: The speaker concludes with an analogy about a furniture factory being pressured to produce faster, which leads to lower-quality products. They argue that while the show may still be commercially successful, the rushed production and lack of creative freedom could negatively impact its long-term legacy.

Overall, the transcript outlines the speaker’s concerns about how the show’s quality has deteriorated due to rushed writing and filming, and their belief that a more thoughtful and less time-constrained approach would improve the show’s creative output.